When I sit and read, drowning in beautiful solitude, both the warm standard lamp and the cold main light bathe the room in yellow. The broken blinds are closed most often; the single plant on my bookshelf is weary in the winter months. My carpet is rarely hoovered because I rarely feel the need. Behind my bed is my expensive eighteenth-birthday-present stereo, the albums I need to listen to and my current book and a distinct and beautiful lack of right angles. For all my obsessions with the metadata on the black anodized aluminium iPod that sits in the black plywood and plastic Sony Hi-Fi and the alphebetization of my most prized material possession, my music collection, my room is somewhat chaotic. Shapes that are too large for the space contained between these four walls fight for room, twisting into a naturally skewed equilibrium.
My bedroom is slowly sorting itself out. The sheets are changed, crumpled, dirtied to a point somewhere the right side of disgusting and changed again, in a neverending cycle. Posters adorn all the walls but the last space I look before I sleep is reserved for two photos of my girlfriend. The same photos of the same face, every evening. But it is comfort I find there, not monotony. I have come to adore this space into which I moved just over a year ago. It is much cosier than my previous dwelling, unwelcoming, unnecessary wooden floor space. Cold and big, a girl’s room, it is now just that: my sister sleeps there, with enough room to host a sleepover, complaining about the bad TV reception. She wants her old room back. I can see why.
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